Hi, I'm Sumi

We were in this corner of the state because of some badlands.

That was the whole reason for the routing. Pokin found Bisti, decided it would photograph well at night, and the back half of the trip bent around it.

Then the drive from Taos ate the day, we got into Farmington late, and so we got to Bisti later.

The Part Nobody Mentioned

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Every other astro night on this trip has had a trail in it. You park, you walk the trail for a while, you put the tripod down.

Bisti is not that. The car park is a patch of dirt, the rocks worth photographing are a couple of miles out, and there is no trail at all. You walk into the badlands and you find them.

So we went fast, into light that was already leaving.

Nicholas said we should have got here hours ago. He said it at the car park. He said it crossing the flats. He said it again about twenty minutes later, in case anybody had stopped thinking about it.

Nobody had stopped thinking about it.

Among the Adobe Formations

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Bisti comes from the Navajo Bistahí, and it means “among the adobe formations,” which is a very calm name for what is actually out here.

The rocks stand around in groups. Hard sandstone caps sitting on soft grey pedestals, worn down until the cap is the only thing holding the whole arrangement up, and they are everywhere, at every size, in every direction. It is a little unsettling. It looks like a film set from Starship Troopers, and I mean that as praise.

Seventy million years ago none of this was desert. It was swamp and river delta on the edge of an inland sea, and the things living in it were dinosaurs. The badlands here expose the most complete run of rock across the end of the Cretaceous of any single basin in the world, which is the sort of claim I would normally have objections to, except it holds up.

In 1997 a volunteer found a tyrannosaur out here. Nine metres of it, about thirty feet, and they flew it out by helicopter. It turned out to be a species nobody had named yet. It is Bistahieversor sealeyi on the label and the Bisti Beast to everyone else, and it lives in a museum in Albuquerque now.

Two days ago in Clayton there was a life-sized dinosaur on a museum lawn and I was left in the car for it.

Now I am standing on a landscape made out of the real ones. I consider the account settled.

Roughly Over There

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It was properly dark by the time we were among the good ones, which caused a problem nobody had accounted for.

An astro shot needs a foreground. You cannot choose a foreground you cannot see. So Nicholas settled on one roughly over there, on the grounds that it was a rock, it was in front of him, and the light was not coming back.

Then the question of how long we were staying, which had an annoying answer. It was a new moon. No moon at all, nothing washing out the sky, the best night you get. We could have stayed out until morning.

We were not equipped to stay out until morning.

So we gave it until about eleven.

Nothing Was Out to Get Us

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The walk back started well. Headlamps on, rocks close on both sides, light bouncing off things, everybody in good spirits.

Then the rocks ran out and we were on the open flats, and the headlamps stopped working. Not technically. A headlamp only shows you whatever it lands on, and out there it lands on nothing. The beam goes out and does not come back. You get a small circle of gravel around your boots, and past that the light just leaves, and you have no distance, no edges, and no way to tell whether the ground ahead of you continues for ten feet or ten miles.

Pokin did not enjoy that. Pokin got properly scared, which had not happened once on this trip, including the evening we followed a black bear down a road in the dark.

Nicholas seemed fine. I put that down to some sort of defect rather than actual bravery.

Reaching the car park did not fix it either. I think by that point Pokin had decided there was something in the dark, and that it was out to get us.

Because before we drove out, Nicholas went to use the washroom, came back, looked up, and said oh wow, this would be a cool photo, the car with the Milky Way behind it. Then he got the tripod out again and left the door hanging open.

Pokin reached across, pulled the door shut, and locked it.

He took the photos anyway. He took them from outside, on his own, with the door locked behind him, because she was not participating in any activity that happened outside the car and she was not leaving a door open for one either.

When he was finished, she let him back in.

“I feel so freaked out,” she said, once we were actually moving.

Yeah. We could all tell.

We got back to the hotel somewhere around one in the morning. Nothing was out to get us.

Nicholas’s work wanted him back.

That is how a road trip stops being a road trip. The car stops pointing away from home and starts pointing at it.

No more east. Kansas was the far edge, and we had already used it.

Somewhere That Is Not Hot

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New question. What is worth seeing on the way back, and can it please not be hot.

Pokin came back with a place called Bisti, which she had found because she thought Nicholas would want to photograph it at night. She was not looking for something she wanted. She found the thing he would want, then did the routing.

Bisti was too far for one day. So the line home ran through a town called Taos instead.

None of us had heard of it.

Taos

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Taos is what you would get if Santa Fe stopped trying quite so hard. Adobe everywhere, galleries, turquoise doors, and a general sense that the paint was applied a while ago and nobody has been nagged about it since.

The hotel had a whole wall of Taos history printed on it, starting back in the fifteen hundreds, which I read in full because nobody else was going to.

The condition about not being hot did not work out. Taos sits at about 7,000 feet, roughly 2,100 metres, which you would think buys you something. It did not. It was still really hot.

Nicholas had calls. He had a lot of calls. Being summoned back to work does not wait until you are actually back, so he took them from the hotel, and between them we walked around the town anyway.

You Cannot Walk There

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Taos is named after Taos Pueblo, which is a separate place a couple of miles north of the town, and we decided to walk to it.

This was Nicholas’s plan and it lasted about as long as it deserved to. You cannot walk there. The land in between belongs to the Pueblo and you do not get to stroll across it because you felt like some exercise.

So we walked back.

Dinner was New Mexican, in New Mexico, which should have been the easy win of the entire trip.

Pokin said it was just ok.

Not bad. Just ok. She had spent the previous evening telling us that a taco place in Liberal, Kansas was the best meal of the trip, and twenty four hours later, in the state that is supposed to own this cuisine, the verdict was a shrug.

I did not have an opinion on the food. I had an opinion on the ranking, which is that Kansas is now undefeated and nobody in New Mexico knows it happened.

Nicholas Had a Call

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The next morning we went to the Pueblo properly.

We got there early, walked the open part, and Nicholas carried me around for about ten minutes in front of the oldest building in the country.

Then the guided tour started at noon.

And at noon, Nicholas went back to the car to take a work call.

He handed me to Pokin and went to sit in a vehicle and talk to people in another time zone, and the rest of us went to look at the thing we had driven to.

So Pokin took me on the tour. She has now done this twice on this trip, in the sense that when there is something actually worth seeing and Nicholas is occupied, she is the one holding the bear.

A Thousand Years of Not Moving

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The multi-storey adobe houses were built somewhere between 1000 and 1450 AD. People have been farming this valley since around 900. The two big structures have names, Hlauuma and Hlaukwima, the north house and the south house, and they are not ruins and they are not a reconstruction. They are houses. Roughly seventy five people live in the old village right now.

The traditional village has no electricity and no running water. That is not a quirk of the budget. It is a rule, kept on purpose, because the alternative is the village slowly turning into a picture of itself.

The whole place is earth mixed with water and straw. The roofs sit on big timbers called vigas hauled down out of the mountains, with smaller pine and aspen latillas laid across them. The outside has to be re-plastered with mud and straw over and over, forever, and each family does their own house.

You can see the straw in it. Somebody has to re-mud that wall, and then somebody has to do it again, and that has been the arrangement since before England had a Parliament.

Onwards

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Tour over. Pokin walked me back to the car and handed me to Nicholas, whose call had finished and who had now been to Taos Pueblo without seeing Taos Pueblo.

Which meant we were leaving immediately, because Bisti is the whole reason we came this way and Bisti is most of the way across the state. Drive straight there and we get to the badlands with the sky still worth pointing a camera at. Stop for lunch and we get a long drive to look at nothing.

Nobody stopped for lunch.

Onwards to Bisti.

Pokin wanted new states.

That was the entire brief. Not a park. Not a view. Not a photograph. Just the question of how far east we could get before we had to turn around and start heading home.

Nicholas looked at the map and produced an answer, which was a town called Liberal, Kansas.

So we left Alamosa and drove. Colorado, then New Mexico, then Oklahoma, then Kansas. Four states in one day, aimed at a place none of us had heard of the week before.

We stopped in Clayton, New Mexico, to charge the car, which is twenty minutes of nothing, so they got out to walk around. That is how they found a dinosaur.

It was on the lawn of the Herzstein Memorial Museum. Life-sized. Standing there like it pays rent. Pokin decided this needed a photo of Nicholas.

Nicholas tells me he thought about coming back to the car to get me, because he knows I love dinosaurs, and then did not do that.

I was in the car. I stayed in the car. The dinosaur and I have never met.

Then the country flattened out and stayed that way for a very long time.

Two Signs

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Oklahoma came first, at the exact corner where New Mexico runs out. Big stone sign, feathers worked into the lettering, nothing behind it in any direction.

Kansas came about three hours later and got considerably less ceremony. Blue sign, sunflower, Kansas Welcomes You! We photographed it through the window without slowing down much.

Dorothy Lives Here Now, Apparently

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Liberal has Dorothy’s House.

It is not Dorothy’s house. Dorothy is a fictional character from a film, and this is a farmhouse that was built in 1907 and lived in by real people who had nothing to do with any of it. In 1981 it was donated to the county historical society, moved onto the museum grounds, and furnished to match the inside of the 1939 movie.

The reasoning, as far as I can tell, was that nobody else had claimed it yet.

That is not a criticism. That is just how you get a landmark.

Behind the Land of Oz is a motel and a semi-truck. I liked that quite a lot. You spend a whole afternoon driving toward Oz and it turns out Oz backs onto a car park.

There is a bronze Dorothy, dedicated to two local ladies who, the plaque says, gave their hearts to their families and the citizens of Liberal. And there is a yellow brick road, which is made of bricks people paid for.

What Liberal Actually Is

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Then we looked up from the plywood and looked at the town.

Grass. Pickup trucks. Mexican restaurants. A lot of Mexican restaurants, in a proportion that did not match anything either of us expected from southwest Kansas.

Pokin wondered about it out loud and then did what Pokin does, which is look it up properly.

Liberal is about 68% Hispanic. Not the county, not the region. The town. The largest employer by a distance is the National Beef plant, which runs somewhere around 3,500 people in a town of under twenty thousand, and is one of the two biggest beef plants in the country. The other one is an hour up the road in Dodge City. The company itself is headquartered in Kansas City, so Liberal does not get the offices. Liberal gets the plant.

Garden City, Dodge City and Liberal are apparently known as the Golden Triangle of Meat-packing, which is a real phrase that real people use.

The rest of Kansas does not look like this. This corner of it does, and the reason is beef.

While we were in there, one other thing surfaced. The town is named Liberal because a settler called Seymour Rogers used to give free water to travellers coming through, and people kept telling him that’s very liberal of you, and eventually it stuck.

So the entire town is named after a compliment about handing out water. I have several objections and nobody wanted to hear any of them.

The Best Meal of the Trip Was in Kansas

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Obviously we went for Mexican.

Pokin declared it the best meal of the whole trip. Not the best meal in Kansas. The best meal of the trip, beating everything in Colorado and Utah, and she was especially serious about the chips and salsa, which she rated the best she has ever had.

She has been to Mexico. She said it anyway.

I did not eat any of it. Tacos are not my thing, and nobody was offering the alternative. Nobody in Liberal, Kansas is running a hot cocoa programme. I checked the situation and the situation was tacos.

Forty Minutes of Train

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The weather was not good enough for astro, which meant there was nothing left to stay out for, so we headed back to the hotel early. A rare and beautiful decision on this trip.

Liberal has two crossings that get you from one side of town to the other.

A train was sitting on both of them.

It stopped. Then it went backwards. Then it went forwards. Then it went backwards again. It did this, unhurried, for forty minutes, while we sat there and watched a town of twenty thousand people get cut cleanly in half by a slow decision.

Nicholas photographs lightning on purpose. He is not a patient man about trains.

Four states, one house that is not the house, one meal Pokin still brings up, and for the first time on this entire trip, not a single mug.

Great Sand Dunes was never really a decision.

Once you have gone to Black Canyon, the dunes are just the next thing east. The map makes the choice and you go along with it.

We got into Alamosa late, and the weather was bad, and the forecast said it would be worse the next day. So the plan shrank down to its essentials.

Go in. Get the mug. Leave.

The Rangers Would Not Say

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Then we got there, and my bud had second thoughts, which is his specialty.

Maybe the sky would break. Maybe there was an astro night in it after all. We could ask the rangers.

The rangers declined to have an opinion. They told us to download a weather app. They told us to get one that shows where the lightning is. They told us to make our own decisions.

I have since looked it up, and that is almost word for word what the park’s own safety page says. Use a lightning app to track the proximity of each strike. The rangers were not being cagey. They were quoting the manual.

It is just that the manual, read out loud by a calm person in a hat, sounds an awful lot like permission if you have already decided what you want to hear.

Nicholas heard yes.

Why It Is Worse Here

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Bad weather is bad everywhere. It is worse on a dunefield, and it is worth knowing why before you walk out onto one.

The dunes cover about thirty square miles. There are no trees. There are no buildings. There is no rock to get under. The tallest of them stand around 750 feet (230 m) above a valley floor that is already sitting at 8,200 feet (2,499 m), and the official advice when lightning starts is to shelter in a building or a vehicle, both of which are back at the car park, which is a very long way behind you.

And you cannot hurry. That is the part nobody tells you properly. Sand takes about twice the effort of ground, so “get down quickly” is not a thing that is available to you. You get down at exactly the speed sand allows, which is the speed of a man wading.

The other listed hazard is wind-blown sand, which the park describes as painful and prone to getting in your eyes. Remember that one. It becomes the whole second half of this post.

Walking on Sand

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We were warned the dunes were not far but the walking would be hard.

The dunes were not far. The walking was hard.

I rode in the bag, which I want on record was offered to me and not requested. Pokin was breathing like a person who had recently been at sea level. Nicholas was fine, because Nicholas is always fine, and has never once acknowledged that this is annoying.

We hiked up along the ridge with the evening coming on and dark cloud moving in behind us. This could look really cool, said Nicholas, looking at the cloud.

Pokin also looked at the cloud, and said something quieter about there being no reception out here and therefore no alerts.

Several times we got to the top and discovered the top was somewhere else.

Moonwalking

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Then we reached a top that really was the top, and Nicholas pointed at a completely different dune some distance away and said that would be a great place to take photos.

Pokin looked at it and did the maths that he had skipped, which is that getting to that dune involves going all the way down this one and all the way up that one.

She was not thrilled.

Come on, he said. You can run down. It’s fun. It’s like moonwalking.

Pokin sat down on her backside and slid, which was slow, and dignified in absolutely no way, and I respected it enormously.

Down, Then Up Again

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And then there was lightning over the near hill.

We were the tallest things on an exposed ridge, which is precisely the situation the manual had been describing, so we went down.

We got down. We were, briefly, sensible people standing on flat ground.

Then my bud worked out how good the shots would look from up there.

So we went back up a different dune. Just to get a few shots.

How Dunes Are Made

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The wind arrived properly then, and started throwing the dunefield at us.

Here is the thing Pokin learned the hard way. These are the tallest dunes in North America, and the reason they are tall is that the sand has nowhere to go. The prevailing winds come from the southwest and push sand across the valley floor until it piles against the Sangre de Cristos. Then storm winds come back down through the mountain passes and push it the other way. Sand that gets shoved from both directions does not travel. It stacks.

So the dunes look the way they do because of wind, and specifically because of the wind that was at that moment going directly into Pokin’s face at speed.

She received the lesson. I would say she received all of it.

For the next while we simply sat there. Nicholas took photographs and appeared not to notice the weather in any way. Pokin huddled behind a patch of dune grass roughly the size of a dinner plate. I stayed low and out of it.

And then, in the middle of a sandstorm, on top of a dune, in a national park, my bud took a work video call.

He put the buff up, angled the phone, shouted into the microphone over the wind, and conducted the entire thing as though he were sitting at a desk, all while the camera kept clicking away beside him.

We Left Anyway

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Eventually the storm risk moved off and the forecast started improving, hour by hour, in exactly the direction he wanted.

But by then Pokin had had enough, and she was not enthusiastic about walking back down a dunefield in the dark, which is a fair position to hold. So we packed up not long after.

My bud came quietly. He did not come happily.

The Sand

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Back at the hotel, Pokin found sand in her eyes, in her ears, and up her nose, all of which had happened through a buff.

Also her pockets. Also her shoes. Also the backpack. Also the car.

Every photo you have just looked at was taken on a phone.

The camera, the tripod, the two bags of gear, the rain cover and the hour of sitting inside a sandstorm to use them produced a set of images that my bud has personally assessed as not even worth posting.

We are still washing sand out of the socks.

Day four had the same question as every other day. Where do we point a camera at the galaxy next?

Black Canyon of the Gunnison was the sensible answer. Two thousand feet of vertical foreground with dark skies sitting on top of it.

Then the weather said cloud, and Montrose said no. Long weekend plus a festival, and every room for miles belonged to people who plan ahead. We are not those people.

North into what my bud keeps calling “real” Colorado, where the fourteen thousand foot mountains live, was three more days of committing, and there were rumours he might get called back early for work. So: a cloudy canyon, or mountains we might never reach.

Then somebody mentioned mugs.

The Mug Doctrine

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The intelligence was that Black Canyon had mugs. Not confirmed. Rumoured.

It was still a firmer rumour than the forecast.

Mugs were certain. Weather was not. We booked the overpriced hotel.

I would like it noted, formally, that a national park was chosen on the basis of ceramics.

A Very Impatient River

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The Black Canyon is not the deepest canyon in North America. Not the narrowest, not the steepest. It is all three at once, and nothing else on the continent manages that.

2,722 feet (829 m) at its deepest. Forty feet (12 m) across at the river’s narrowest. The Painted Wall runs 2,250 feet (686 m) from water to rim, the tallest cliff in Colorado. Put the Empire State Building at the bottom of it and you would still have a thousand feet of rock above the roof.

The river did that, and the river is in a hurry.

The rock down there is 1.8 billion years old. Colorado lifted, volcanoes buried the lot in ash, and the Gunnison cut down through the soft stuff until about two million years ago, when it reached the ancient rock underneath and got stuck. Not stopped. Stuck in its own channel, with a gradient.

The gradient is the whole story. The Gunnison drops 43 feet per mile through here, up to 95 in places. The Colorado, doing its famous work over in the Grand Canyon, drops seven. Seven.

The Grand Canyon is wide because it had soft rock and time to sprawl. The Black Canyon went straight down like it had something to prove. I respect that enormously.

The walls are so tall and so close together that parts of the gorge get about thirty three minutes of direct sunlight a day. The rest is shadow. Hence Black.

Pokin’s Question

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Pokin had worked out that the visitor centre is always on the south side. Not just here. Every canyon. So she asked, and the man at the visitor centre had the answer ready, which tells you she is not the first.

The sun in the northern hemisphere always comes from the south. So the north wall of a canyon faces it and gets cooked, all day, for a couple of million years, and erodes into something stark and bare and worth driving to. The south wall sits in its own shade, keeps its water, and grows things.

So they build the visitor centre on the dull side and point it at the good one. The northern side gets to stay rugged.

Which is also why this rim has the paved road, the campground and the gift shop, and the north rim has seven miles of dirt and a ranger station that opens when it feels like it.

I have no way to check any of this and I have decided it is true.

The Flat Part Was A Lie

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One of the stated goals of this trip was to do some actual hiking. It kept not happening. We arrived too late, or it was too hot, or both, and walking kept getting quietly downgraded to standing near things and looking at them.

Then Pokin found a short loop that would, in her words, let us “experience the canyon better.” It is called the Oak Flat Loop.

The flat part is a lie. Pokin knew that. Pokin reads the elevation profile.

What it actually is: the only maintained trail on this rim that takes you below the edge without committing you to the river. Straight down into designated wilderness, 1.6 miles (2.6 km), rated “moderately strenuous,” which is park service for “you will notice it on the way back up.”

It is a different canyon down there. From the overlooks you get the postcard, the whole gorge laid out, impressive, slightly unreal. Thirty seconds below the lip you are in trees, the view arrives in pieces through branches, and the canyon stops being a view and starts being a drop.

We went 280 feet (85 m) below the rim. Then we climbed 280 feet back up, which is the half of a loop nobody puts on the sign.

Where My Bud Chose To Put The Camera

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The sky was still overcast and the evening was, by any sensible reading, a write off. We went anyway, because the alternative was sitting in the overpriced hotel knowing we had not tried. So we drove the rim road slowly, scanning, until Nicholas found a spot he liked.

Those pale zigzags are molten rock that squeezed up through cracks in the older stone somewhere between 1.4 and 1.7 billion years ago, cooled, and set. It has been in there ever since, waiting for the river to expose it. That is what the Painted Wall is named for.

Pokin was not a fan of where he chose to put the camera.

He had tucked it down the rock face, over the edge, on a ledge he was clearly not supposed to be on, with a couple of thousand feet of nothing underneath it and his own footing in charge of the whole arrangement.

She asked him to walk down carefully.

He channelled Peep and hopped.

Then he made friends. There are always other photographers at a spot like this, and within four minutes he had his phone out and was showing them the Everest timelapses.

Twice in four days. Those Everest photos are putting on more mileage than the car is, and he only had to walk up the thing once.

We Called It Too Early

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The sky never opened. Cloud from one rim to the other, no core, nothing worth burning a night on. We gave it a while, agreed it was not happening, packed up and drove back to the hotel we were overpaying for.

Then we looked at the files.

The clouds were the shot. Long lit streaks running across, the Milky Way coming through the gaps behind them, doing considerably more work than a clear sky would have.

We left early. The clouds did not.

The mug intelligence, meanwhile, was good. The mug was obtained.

Out of everything uncertain about that day, the ceramics were the only part that went exactly to plan.

Day three was a border.

Nicholas has been to Colorado before. Pokin has not. Chestnut has not. I had not. So three quarters of the vehicle were about to unlock a new state, and that is the sort of thing you pull over for.

The sign is not subtle about it. WELCOME TO COLORFUL COLORADO, in white letters on black, bolted between two stone pillars in the middle of nothing.

Two states in three days. I am collecting them now, apparently. That makes two of us with a collection.

Mug Number Two

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First stop in the new state was Colorado National Monument, and my bud walked into the visitor centre and bought a mug before he had looked at a single canyon.

I raised this in the last post as a possible one time event. It is not a one time event. It is a policy.

The Man With The Shovel

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Here is the part I actually liked.

This place exists because of one deeply strange man. John Otto walked into these canyons in 1906, decided they were the heart of the world, and then stayed. He lived out there alone with two burros. He cut the trails himself, by hand, with a pick and a shovel, so that other people could come and see the thing he had found. He named the formations after patriots and historic events, which is why the big one is called Independence Monument and not something sensible about geology.

Then he wrote letters. Hundreds of them. To newspapers, to politicians, to the actual President of the United States, all of them saying the same thing, which was roughly you need to come and look at this.

It worked. On 24 May 1911 Taft signed it into being, and Otto was made the first custodian of the monument at a salary of one dollar a month. He did the job for sixteen years.

A month after the monument was created he married a Boston artist called Beatrice Farnham at the base of that tower. She lasted a few weeks. Her explanation on the way out is one of the best sentences ever written about a marriage:

I tried hard to live his way, but I could not do it, I could not live with a man to whom even a cabin was an encumbrance.

Otto climbed his 450 foot tower every Fourth of July to plant a flag on top of it. Climbers still go up and do it for him every year. He died broke in California with forty four dollars to his name and was buried in a pauper’s grave, and it took local people fifty years to get him a headstone.

A man who spent twenty years hand digging trails so strangers could enjoy a view, and got paid one dollar a month for it. I have opinions about monuments, mostly that I deserve one, but I will step aside for Otto.

Too Hot To Walk

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The plan was a hike that afternoon. The plan died.

We were up on the rim at nearly six thousand feet (1,800 m), which is meant to be where the heat gets better, and the heat did not get better. It sat on the whole valley like a hand. Nobody was hiking anywhere.

So the afternoon got written off, which made the night the only thing left. Unfortunately the monument faces the wrong way for astrophotography. The canyons open north over Grand Junction and its lights, and the Milky Way core sits low in the south. Beautiful in daylight, useless after dark.

So we looked at the map and found something forty minutes further out, on Glade Park, called Miracle Rock.

The Potato

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Miracle Rock is a boulder eighty four feet tall (26 m), weighing a claimed twelve thousand tons, sitting on a piece of sandstone about a foot wide.

It is on the edge of a canyon. It has been there a very long time. It will presumably not be there forever, and everyone who visits works this out within about four seconds of arriving.

Locals also call it Potato Rock, because it looks like a potato. I want it on record that a rock this dramatic was named twice, once by someone with a sense of occasion and once by someone who had just been to the shops, and both names stuck.

We got there with the sun still up, which is the correct way to arrive at a night shoot. You want to see the ground before you have to walk it in the dark.

I supervised from a juniper. It was a good juniper. I had a clear view of the rock, the camera, and both humans, and I did not have to hold anything.

The Light

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They had also downloaded the trail on AllTrails before we set off, because the word from other people was that finding your way back from this rock in the dark is genuinely hard. Remember that. It comes up later.

Camera went on the tripod. Sun went down. Everything was going well.

And then a light came on below us.

Somebody had decided to camp down in the canyon, which is entirely their right, and they had a lamp, which was also their right, and that lamp pointed directly up into the one bit of dark my bud needed. He did not say very much about it. He did not have to. I have known him fourteen years and I can hear the exact quality of silence that means a man is recalculating an entire composition around a stranger’s tent.

Then came the part of astrophotography nobody photographs, which is the hour and a half of standing on a plateau in the dark waiting for a specific arrangement of the sky. Back and forth. Back and forth. Two adults pacing a slab of sandstone with their hands in their pockets, waiting for the galaxy to get into position.

Worth It

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Look at the colour low in that sky. The green and the faint pink are not light pollution and they are not the camper. That is airglow, which is the upper atmosphere quietly giving back energy it soaked up from the sun during the day. The whole sky does it every night. You simply cannot see it, because your eyes are not a twenty second exposure.

He got the shot. Then he wanted one more shot. Then it was very late and everybody was blinking slowly, and we gave up while we were ahead and put the headlamps on for the walk back down.

The Drive Home

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Then, on the road out, in the headlights, there was a bear.

A real one. Wild, black, unbothered, trotting down the centre of the road ahead of us like it had somewhere to be.

We could not get round it. So for a few minutes we simply followed it, at bear speed, in the dark, accidentally herding a large wild animal along a road in Colorado, until it worked out it had options and went off into the trees.

I have been in a lot of photographs and nobody ever asks about the bear. That night there were two of us and I still did not get asked.

And Then The Insult

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The next day, in a shop, Pokin bought bear spray.

For bears.

Having spent fourteen years travelling with one.

I am choosing to take this personally, and I intend to keep taking it personally for the remaining six days of this trip.

Although.

She had a point about the timing, and she made sure I knew it. Early September in Colorado is peak bear season, when they go into hyperphagia and spend up to twenty hours a day eating to put on the weight that gets them through winter. They are out, they are moving, and they are thinking about food more or less constantly.

We had been standing on a dark plateau forty minutes from anywhere, an hour after sunset, and then walked back to the road by headlamp on a trail that people specifically warn you is hard to find in the dark. That bear had been out there the whole time doing its own thing in the same handful of square miles.

So I will allow it. Once.

Day two began exactly like day one.

Nicholas had calls. Long ones. I had assumed the whole point of a spontaneous road trip was that nobody could reach you, and I was wrong about that in a way I intend to keep bringing up.

He brought a Starlink. He packed a satellite dish, for a holiday, and then aimed it at the sky from increasingly absurd places so that a meeting could continue. Red rock, no phone signal for miles, a landscape that has been quietly eroding since the Jurassic, and a man in the middle of it saying “sorry, can you repeat that, I lost you for a second.” He did not lose them. That was the tragedy. The dish worked perfectly every single time.

So we got into Arches in the afternoon, again, and the first thing my bud did on arrival was buy a mug.

Not a postcard. Not a map. A mug, from the visitor centre, with the park’s name on it. He has apparently decided that he is now a man who collects a mug at every national park, and that this decision is retroactive and binding for the rest of the trip. I want it noted that nobody voted on this.

I gave it about a day before I started checking whether the next park had good ones.

The Windows

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Arches has a standard loop and we did the standard loop, because the standard loop is standard for a reason. First stop was the Windows Section, which is a cluster of arches all within a few minutes’ walk of each other, so you get an extremely good ratio of arches to effort.

The two big openings sit side by side in one long fin, and from the right angle they line up as a pair. The park calls them the Spectacles. I have no notes. That is exactly what they look like.

You can climb up inside the openings, which people do, and then stand there being a silhouette in everyone else’s photograph. Nicholas did not go up. Nicholas stood at the bottom getting quietly furious at the people who did, waiting for a gap in the queue of strangers posing in his shot. There was no gap. There is never a gap.

Sand Dune Arch

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Then a short stop at Sand Dune Arch, which is down a gap between two fins and feels completely unlike the rest of the park. You walk in through a slot, the walls close over, the temperature drops, and the floor turns to deep soft sand that swallows your feet.

Every child in southern Utah is in there at any given moment, throwing sand. I respect the operation.

The Delicate Arch Decision

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Here is where we had to choose.

It was getting on, and the light was going, and we could do Delicate Arch or we could get to Landscape Arch. Not both. Delicate Arch is the famous one, the one on the licence plates, and I am told the walk out to it is a proper uphill slog with a crowd at the end.

We went to Landscape Arch instead. I have been informed this was a scheduling decision. I am recording it as a choice, because Landscape Arch is by far the more interesting object and I will explain why.

Look at how thin it is. At its narrowest that ribbon of sandstone is about six feet (1.8 m) thick, holding a span longer than a football pitch.

And this is the bit worth knowing. Sandstone is excellent at being squashed and terrible at being stretched. A short, fat, steep arch like Delicate Arch is basically a thick lintel sitting on two thick legs, and almost all of the weight goes straight down through the rock as compression, which sandstone is happy to do all day. A long flat span is a different problem entirely. The underside of it is in tension, being pulled apart, and that is the one thing this rock cannot do. So the span gets thinner, and the thinner it gets, the less there is to share the load.

Landscape Arch is not being coy about this. It dropped a 60 foot (18 m) slab off its underside in 1991, with people standing underneath it, and shed more rock in 1995. The trail that used to run under the arch has been closed ever since. You look at it from a rope line now, at a polite distance, the way you would look at something that has already told you what it intends to do.

Delicate Arch will still be standing in a very long time. Landscape Arch is a countdown. That is why it is the better one to go and see.

Broken Arch

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Then Nicholas announced the plan for the night.

The plan was Broken Arch. He had been eyeing it all afternoon for one reason: it is an arch you can stand well back from, on open slickrock, with a clean view through the opening and nothing in the way. Which is another way of saying it would frame the galaxy nicely, and everything else that day had been reconnaissance.

That notch across the top is the whole reason for the name. The span has a proper fracture through it and it has simply declined to finish the job so far.

The Mosquitoes

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We settled in to wait for dark. Packs down, dinner out of the containers, headlamps ready, several hours to burn before the sky did anything interesting.

And then the mosquitoes arrived.

In the desert. In a national park made almost entirely of rock and sand and the absence of water, at an arch on an exposed slab, there were mosquitoes, and there were a lot of them, and they found Pokin immediately.

She got bitten a great deal. Nicholas got bitten a great deal. I have never once been bothered by a mosquito in fourteen years of travel and I sat there watching the two of them slap at their own arms in the dark like it was a hobby.

Pokin’s position, delivered several times, was that this had better be worth it.

It Was Worth It

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The Milky Way core came up over the arch and stood there.

There is a faint streak on the left of that frame. Before anybody asks, yes, I checked, and yes, it is almost certainly another satellite. I have made my peace.

Then he set up the one I actually care about.

That is the three of us sitting under a rock that has been slowly falling apart since before anybody was around to name it, under the arm of a galaxy, in the middle of a road trip where nobody had decided where we were sleeping.

Not bad for a Friday.

Pokin’s Contribution

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Pokin also attempted an astro shot. On her phone. Handheld.

I want to be fair to it. It is a photograph of a man standing in an arch under the stars, and all of those elements are technically present. The stars are there. The arch is there. The man is there with his hands on his hips, doing the pose, fully committed.

It also looks like something recovered from a haunted camcorder. Pokin submitted it entirely without shame, which I respect more than the photo.

Walking Out

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We hiked back to the car in the dark with headlamps, over slickrock, following little reflective markers and Nicholas’s memory of where the trail had been in daylight. Pokin was still itching. Chestnut had opinions about the dark and they were, as always, positive ones.

Two parks in two days, one mug acquired, an unknown number of bites, and one photograph that will end up on a wall.

Day three, nobody knows yet.

Do you realise the last time we went on a proper spontaneous road trip was 2014?

Twelve years. Twelve years of flights and hotels and airport lounges, which I am not complaining about, but there is a specific kind of trip where nobody knows where they’re sleeping tomorrow and you just point the car somewhere and go. We hadn’t done one of those since Route 66.

It was time to rectify that. Especially since my bud might be about to get locked down by a job that eats his calendar.

So we went. Chestnut came too. He has travelled plenty, but he has never done a road trip, and a road trip is a different animal. No itinerary. No bookings. No agreed end. He was about to find out what nine days of that does to a horse.

First stop: Moab. Canyonlands. Then Dead Horse Point after dark, because Nicholas has decided he’s an astrophotographer now.

Except First There Were Calls

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So many calls.

Nicholas had work calls all morning. Then more work calls. Then a call about the calls. We did not leave the hotel until four in the afternoon, which for a bear who packed at dawn is a personal insult.

In fairness, it was too hot to be outside anyway. Everyone was wilting. Everyone except Chestnut, who thought the whole situation was fantastic, because Chestnut thinks everything is fantastic. That horse has never had a bad day in his life.

They grabbed sandwiches from a new place in town called Coyote Outpost so we could stay out late, and the owner threw in a tip with them: skip the pavement, take the dirt road. Go through Long Canyon.

I’m always down for an offroading adventure.

The road out of town runs right along the base of a wall that goes up forever. You drive with your nose almost touching the window.

The petroglyphs are carved into that wall, right at the side of the road, thousands of years old. No fence, no ticket, no gift shop. You pull over on the shoulder and there they are. Everybody stands in the gravel and looks straight up, which is exactly what people have been doing on this spot for a very long time.

Long Canyon

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Then the pavement ran out and the good part started.

Long Canyon Road climbs out of the river bottom on a dirt track that gets narrower and more enthusiastic the higher it goes. Loose rock. Big drops. Nobody else out there. This is the kind of road where nobody is quite sure we’re going to clear that rock, so you go for it and find out.

And then we got company.

They were everywhere out here. Once you spot the first one you can’t stop seeing them, parked on ledges no animal has any business standing on, entirely unbothered by any of it.

I would like it on record that I spotted one of them. I will accept a medal at any time.

That’s the La Sal Mountains out in the haze, which is a genuinely odd thing to see from the middle of a desert. Red rock in every direction and then snow-capable peaks over 12,000 feet (3,700 m) sitting there at the back of the frame like they wandered into the wrong photograph.

The best bit comes near the top, where an enormous slab has peeled off the wall and landed against the opposite side, and the road just goes underneath it. Nobody built that. It fell that way and somebody decided to drive under it.

We came out at the top right near the entrance to Canyonlands, exactly as promised. Best sandwich-shop advice we’ve ever been given, and I didn’t even have a sandwich.

Mesa Arch

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Canyonlands has an arch that sits right on the edge of a 500 foot (150 m) cliff, and the entire point of it is that it frames the whole park behind it. Buttes, canyons, the La Sals on the horizon, all of it lined up in a stone window.

Photographers queue here at sunrise. We showed up in the late afternoon with the place mostly to ourselves, which I consider the superior strategy, because it involved no early morning whatsoever.

Grand View Point

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Then we drove to the end of the road, where the mesa stops.

Grand View Point sits at about 6,080 feet (1,853 m) and it does what the name says with no imagination whatsoever. You walk out to the rim and the ground simply stops, and then there is nothing but canyon for a hundred miles.

It doesn’t photograph properly. Nothing this big does. Your eye keeps looking for something familiar to measure it against and there isn’t one.

Then you walk back to the car. That turned out to be the shape of most of this trip: drive somewhere, walk out to the edge of it, look, walk back.

Dead Horse Point

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We made it to the point for sunset.

Quick history, because the name deserves an explanation. Dead Horse Point is a mesa connected to the mainland by a neck of rock only about 30 yards wide. In the 1800s cowboys worked out that if you fence off the neck, you’ve got a natural corral, and they used it to hold wild mustangs while they picked out the ones worth keeping. The story goes that one band of horses was left up there behind the fence and died of thirst, in full view of the Colorado River 2,000 feet (600 m) below them.

So that’s a cheerful bit of local colour. It became a Utah state park in 1959, and if the view looks familiar, it’s because it’s the cliff Thelma and Louise drive off at the end of the film. The film says Grand Canyon. The film is lying.

There were other photographers up there, which turned out to be the good kind of crowd. Everybody spread out along the rim, tripods up, all pointed at the same thing.

We ended up hanging out with them for the rest of the night. Nicholas pulled up the timelapses he shot at Everest and that was the end of any further conversation about camera settings. Nothing beats a man showing strangers the Milky Way turning over the Himalaya on a phone screen in the dark. I was there for those, incidentally. Nobody asked about the bear.

The Actual Reason We Were There

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Ever since Nicholas got those Milky Way shots at Everest he’s decided this is a thing he does now, and early September in southern Utah is about as good as it gets for it. So the plan for this whole trip is simple: when the sky is clear, we shoot.

The sky was clear.

Here’s the composite he put together from that night. Two thousand feet of canyon, the Colorado doing its horseshoe, and the core of the galaxy standing straight up over the top of it.

There’s a bright streak across the middle of the frame. I would love to tell you that’s a meteor. It is almost certainly a Starlink satellite, which as a lifelong SpaceX bear I am contractually required to be delighted about, and which as a photographer’s bear is deeply annoying.

Then we drove back to the hotel and I took my usual spot in bed, because it had been a very long day for a bear who got up at dawn for a four o’clock departure.

One day down. Eight or so to go, and nobody has decided where we’re going yet.

I wonder how far we can get.

A while back I posted a preview. One frame, color graded on a phone in a freezing lodge, with a promise that the real versions were coming once we got home to actual monitors and actual software.

We’re home. They’re done. Four nights of no sleep at altitude, and here is what survived.

A quick reminder of what went into these, because I am not going to let it go. Four nights, Nicholas climbed out into the cold while the rest of us were sensibly unconscious and let the camera shoot the sky for hours. I supervised from inside a sleeping bag, which is the correct division of labour.

First, the Sherpa Memorial at Chukpi Lhara, near Lobuche. The one from the preview, except now it looks the way it was supposed to look. The Galactic Center over the valley, the snow peaks catching starlight, and a single cluster of lights at the bottom, which is the village of Dingboche being very far away and very small. Full story: Redemption at the Sherpa Memorial.

Second, Everest, from Kala Patthar at 1 AM. The highest and coldest of the bunch. No valley, no village lights, just a wall of jagged snow peaks and the most colorful sky of the set, a band of orange airglow on the horizon with a faint touch of green off to the side. The climb behind it: The Kala Patthar Speed Run, at 5,164 meters on three hours of sleep.

Third, Thukla, on the way back down. The hill Nicholas crossed an unfinished bridge to reach, because the sensible route did not exist yet and that was apparently not reason enough to pick a different hill. The path winds down toward more village lights, the core parked right over the central peak. The saga: Sleeping on the Mountain.

And then there is the one that got away. The first frame from the night framed on Ama Dablam, with a new moon and the Milky Way set to rise right behind the peak. You can see it starting. The dust band curling out from behind the mountain, green airglow along the ridge, and the Galactic Center still tucked behind that big peak on the left, about to climb into the open.

It never made it. A frozen lens quietly dropped its aperture a few frames in, and everything after this went pure black. Five hundred photographs of nothing, and one early frame that survived to show what it would have been. The full, gutting story is in The Astrosaster.

The stills are only half of it. The real point of standing in the cold for hours was the motion, the stars actually wheeling over the Himalayas, which does not fit in a photo. So Nicholas cut it into a short film.

Four nights of suffering, three keepers, and one bear who stayed warm the entire time and regrets nothing.

We had one last day in Kathmandu, and we had missions.

Mission one: Manoj needed shoes. The man had spent three weeks walking slowly behind Pokin over snow and ice in a pair of beat-up tennis shoes with actual holes in them, like footwear was a suggestion rather than a requirement. This was unacceptable. So we all went to a local sporting goods store to get our guide his first real pair of hiking boots.

Mission two: Nicholas needed to stop looking like he lived under a bridge. Three weeks of trail had turned him properly scruffy, so he wandered into a random barbershop and asked for a shave. With a straight razor. By a man he’d met four seconds earlier.

Then we met Manoj back at the hotel for his own sendoff. He’d brought scarves and tea for everyone. No cocoa? I question his gift-giving sensibilities.

Remember Alice? She’d escaped a day early on that one sketchy helicopter seat out of Surke. When she left, D.B. had handed her an extra piece of luggage to carry back for him. No big deal. Then, while we were all sitting in the airport that evening, D.B. called her. “Alice, Alice, I need you to do something for me. I need you to take the chicken out of my bag.”

The chicken. Out of the bag.

We assumed he was joking. He was not joking. There was, in fact, a bag of actual chicken in his luggage, given to him by one of the porters’ families on the way out as a parting gift. Alice had unknowingly couriered a chicken down from the mountains. So the next day she packed the chicken back up and brought it to the hotel, to hand to Manoj, to give back to D.B. A whole relay of people moving one chicken across Nepal.

And then Manoj left. The last of our guides, off to his next group of people who had no idea what they were walking into.

With the goodbyes done, Nicholas was free to do the thing he does in every interesting country on earth, which is hunt down weird instruments.

First up, singing bowls. Pokin tracked down one of the top singing bowl masters in the country, who happened to have a shop in town. We walked in and Nicholas started sampling bowls, working through them one at a time, until the master pulled out a special collection tuned to a full octave of notes. That was the end of any restraint. Sold.

Then, walking down the street, we found a guy named Ashish sitting on the ground in a tiny shop making his own drums by hand. Of course we had to stop. Nicholas and Ashish talked for a long while, played a few together, and he showed Nicholas some beats. Then he customized one of the drums right there, cutting fresh leather for the head. Nicholas walked out with an armful of new instruments.

At which point the obvious question became: where exactly are we going to fit all of this? A full octave of singing bowls, a pile of hand drums, and everything else we’d hauled down a mountain. We crammed it all into the bags through sheer force of will, and then it was time to go.

Goodbye, Nepal. We had many plans, none of them went the way we planned, so we made many new plans, and that didn’t go as planned either, but we made it. I’m glad to be headed home, but knowing Pokin, I’m sure she’s already re-planning to see you again soon.