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Rome

We arrived in Rome at night, which is the correct way to arrive in Rome. You stumble off the highway, navigate increasingly chaotic streets, and then suddenly the Trevi Fountain is just there, lit up like a movie set someone forgot to take down.

Trevi Fountain at night
Just casually around the corner from the hotel.

The hotel was old in the way that Rome hotels are old — stone stairs, questionable plumbing, and an elevator that was essentially a wrought-iron cage with a brass call button and a prayer.

Old cage elevator in the Rome hotel
The elevator. I am 186 grams and I was nervous.

Day 1: The Colosseum and the Vatican
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We hired a guide. Not just any guide. An actual archaeologist. The kind of person who gets excited about mortar composition and can tell you which emperor ruined what by looking at a brick. This turned out to be the best decision of the entire Italy trip.

Sumi Bear in a Colosseum vaulted passage
Inside the walls. 2,000 years of foot traffic and I still had to queue.

The Colosseum is one of those places where the scale doesn’t make sense until you’re standing inside it. You know it’s big from photos. You don’t know it held 50,000 people, had a retractable awning system, and could flood the arena floor for naval battles. The Romans were insane in the most impressive possible way.

Sumi and Nicholas overlooking the Colosseum hypogeum
Overlooking the hypogeum. The underground where gladiators, animals, and stage equipment waited.

Our archaeologist guide didn’t just tell us facts. He showed us a display case containing a piece of pottery that he personally dug up. His own artifact, excavated from a site in Rome, now sitting behind glass in a museum. He pointed at it the way a parent points at a kid’s school photo. “That one. I found that one.” I’ve never seen someone so proud of a piece of broken clay.

Sumi Bear in front of the Colosseum exterior
Outside. Still processing that I was just inside a 2,000-year-old arena.

From the Colosseum we walked to the Roman Forum, which is what happens when you leave an entire civilization’s downtown abandoned for a thousand years.

Panoramic view of the Roman Forum
The Forum. Where Rome happened.

The Forum is a strange place. It’s simultaneously the most historically significant few acres in Western civilization and also just… a field of broken columns with cats sleeping on them. Temples, courthouses, marketplaces, everything that made Rome Rome was here, and now it’s a park with informational signs.

Up on Palatine Hill, the view opens up and you can see the whole thing laid out — the Forum below, the Colosseum in the distance, the city spreading in every direction.

Sumi on Palatine Hill with the Forum and Colosseum in the background
My hill now.


After the ancient half of Rome, we did the Vatican half. It was hot. It was humid. Pokin was cranky because it was hot and humid. We went anyway.

Sumi at the Vatican Museums entrance
The Vatican Museums. Where the line starts and hope ends.
Sumi with St. Peter's dome in the background
First sighting of the dome.

The Vatican Museums are overwhelming in the way that only a 2,000-year-old institution with unlimited acquisition budget can be. Every hallway has more art than most countries’ national museums. You walk past things that would be the centerpiece of any gallery on earth and they’re just… on a wall. In a corridor. Next to a fire extinguisher.

Sumi at the Cortile della Pigna
The Pine Cone Courtyard. Because the Vatican needed a giant bronze pine cone. Obviously.

Sumi next to a classical river god sculpture
Making friends with a river god. He seemed chill.

The Sala Rotonda in the Vatican Museums
The Sala Rotonda. Porphyry basin in the middle, statues in the walls, mosaic on the floor. Casual.

Sumi in a backpack with signs pointing to the Sistine Chapel
Following the signs to the Sistine Chapel. No photos allowed inside. Trust me, it’s up there.

From the Museums we went straight to St. Peter’s Basilica. If the Vatican Museums are “a lot,” St. Peter’s is “too much, deliberately.”

Sumi in St. Peter's Square with the basilica and colonnade
St. Peter’s Square. Bernini designed it to feel like the church is giving you a hug. It works.
Michelangelo's Pietà behind glass in St. Peter's
The Pietà. Behind glass since 1972. Still stops you in your tracks.

Sunbeams inside St. Peter's Basilica with the baldachin
The light does this. On purpose. They designed the windows for exactly this.
Sumi under Bernini's baldachin with the dome above
Under the baldachin, looking up into the dome. Bernini and Michelangelo in one glance.


After all that history and religion, we needed drinks.

Colorful aperitivo drinks - limoncello, blue cocktail, and Aperol spritz
Limoncello, something aggressively blue, and Aperol spritz. Jane and Pokin were on a spritz mission the entire trip.

Jane and Pokin had discovered Aperol spritz somewhere around day three of Italy and hadn’t stopped ordering them since. The blue one was somebody’s idea of adventure. The limoncello was mine by default because it was the closest thing to a dessert drink available.


Day 2: The Rest of Rome
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The next morning we did what you do on your second day in Rome. You walk.

Gelato stop at Gelicious in Rome
Started with gelato. Correct priorities.
Sumi in front of the Pantheon
The Pantheon. Built 125 AD. Still the world’s largest unreinforced concrete dome. The Romans were showing off.

The Pantheon makes you feel small in a way that’s different from the Colosseum or St. Peter’s. Those places are big because they wanted to impress you. The Pantheon is big because someone solved a structural engineering problem that wouldn’t be solved again for over a thousand years, and they did it with concrete.

We ended Rome the way we ended every Italian city.

Pizza dinner in Rome
Pizza. In Rome. No further commentary needed.

Rome is exhausting, overstimulating, too hot, too crowded, and completely worth it. Two days is not enough. Two weeks probably isn’t either. But we had pizza, we saw an archaeologist point at his own pottery, and Pokin got her spritzes. Not bad at all.